Dual mode standoff imaging spectroscopy documents the painting process of the Lamb of God in the Ghent Altarpiece by J. and H. Van Eyck

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Science Advances  29 Jul 2020:
Vol. 6, no. 31, eabb3379
DOI: 10.1126/sciadv.abb3379

Article Information

vol. 6 no. 31

Online ISSN: 
  • Received for publication February 19, 2020
  • Accepted for publication June 16, 2020
  • .

Author Information

  1. Geert Van der Snickt1,2,*,
  2. Kathryn A. Dooley3,
  3. Jana Sanyova4,
  4. Hélène Dubois4,5,
  5. John K. Delaney3,
  6. E. Melanie Gifford3,
  7. Stijn Legrand1,
  8. Nathalie Laquiere4 and
  9. Koen Janssens1
  1. 1University of Antwerp, Department of Physics, AXES research group, Groenenborgerlaan 171, B-2020 Antwerp, Belgium.
  2. 2University of Antwerp, ARCHES research group, Mutsaardstraat 31, B-2000 Antwerp, Belgium.
  3. 3National Gallery of Art, 6th and Constitution Ave NW, Washington, DC 20565, USA
  4. 4KIK-IRPA, Jubelpark 1, B-1000 Brussels, Belgium.
  5. 5Vakgroep Kunst-, Muziek- en Theaterwetenschappen, University of Ghent, Sint-Pietersnieuwstraat 41 B4, B-9000 Gent, Belgium.
  1. *Corresponding author. Email: geert.vandersnickt{at}


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Aug 2020912137323

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